I am a self-taught photographer and began experimenting with light and its effects on light sensitive media when I was given a Kodak Brownie Starlet camera when I was around 10. Since then I have had a number of cameras, with my last film camera being an Olympus OM-4 SLR.
Early influences on my photography came mainly from books by/on Ansel Adams, Edward Weston, Minor White, Olegas Truchanas, Peter Dombrovskis, Wolfgang Sievers, and exhibitions of photographs by Australian Photographers.
While I have always had an interest in natural history and my photography started out with this type of emphasis it has moved on from merely recording the natural, and man-made environment to using the form, arrangement, and the interplay of light within the image to convey my emotions at the time of capture. I start with a full ‘canvas’ and seek to de-clutter it using the right vantage point and lighting.
My photography ranges from architectural/industrial through to images inspired by the natural world, and ranges from Broad Landscapes to Details within Landscapes, with patterns and textures playing a large part in my images.
My workflow involves using Lightroom to both import my images as Digital Negatives (DNG), and then to edit them non-destructively. Once the image is ready for outputting I export it to Photoshop as a TIFF file, keeping all the Lightroom adjustments. If an image requires further editing not possible in Lightroom I will then use Photoshop for final editing before preparing it for printing, projection, or, the web.
Recently I have also been combining a number of images, and/or using other editing processes to create another reality. These are identified as such and are distinct from my other images.
When printing I use archival quality photographic papers and Epson UltraChrome HD Pigment Inks.